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#USING SEPEREATE MIXES IN SAFFIRE MIXCONTROL MAC#I set up the interface with a Mac G5 and PreSonus Studio One (Tape Op #76) without any problems. #USING SEPEREATE MIXES IN SAFFIRE MIXCONTROL PRO#The pro studio speakers are all near-fields, which is appropriate to the task, but it would be nice to have a few larger speaker models, and maybe even a super large soffit-mounted, blow-your-face-out model. #USING SEPEREATE MIXES IN SAFFIRE MIXCONTROL TV#Living room has a flat-screen TV for instance. Each room has a selection of speaker models that are appropriate to the venue. There are three room types: pro studio, living room, and bedroom. You can change the listening position in a pretty realistic sounding way. It sounds like you're listening to a feed from binaural mics in a mixing room, which is exactly what is being simulated. One thing is for sure, VRM definitely helps with spatial cues if you are forced by living situation to mix only in headphones, that one feature is probably worth the price of the unit. I can't think of why a good matrix of room and speaker simulations like those in VRM wouldn't give a similar result. With these reservations, why do I like Focusrite's VRM then? Like many other folks, knowing that my mixing environment is several steps below perfect, I check my mixes in other people's also-imperfect rooms, hoping to uncover all of the possible flaws in the mix different flaws are accentuated in different rooms. This rule is only half-half valid anymore because there are plenty of people who listen to earbuds more often than speakers. The teaching is that headphones greatly distort spatial cues that listeners will be hearing over speakers. Thirdly, another old school lesson - don't mix on headphones. For example, if in order to clean up a mode in your room you used a deep enough EQ to notch a frequency, you might mask a problem at that frequency in your mix. Secondly, back in the old days, I was taught to never insert EQ or other processing in the listening chain to fix deficiencies in the room or the monitors, as the resulting tonal changes could further compound the problem. I imagined there might be a mic in the box to measure headphone responses, or at least a list of popular headphones to choose from, but there is neither. What are my reservations? Firstly, for any such simulation to work accurately, the response of the playback system must be known to the simulator. My reservations still stand, but this feature is infinitely more useful than I thought it would be. The gist of this feature is that it enables headphone monitoring through a simulated room with convolution-modeled speakers. Under the hood is a DSP-powered subsystem for low-latency routing, monitoring effects, and Virtual Reference Monitoring.īefore I took the Saffire PRO 24 DSP for a spin, I was not in the market for an audio interface, and I cynically believed that VRM was a gimmick. Intuitive one-click configurations help you track, monitor and mix as quickly as possible.Focusrite's compact, 16 in, 8 out, 24-bit, 96 kHz FireWire audio interface includes 4 analog inputs (2 mic/line/instrument, 2 line/instrument), 6 analog outputs, S/PDIF I/O, and ADAT in. Route any combination of input signals and sequencer outputs to any of Saffire Pro 14’s outputs. #USING SEPEREATE MIXES IN SAFFIRE MIXCONTROL SOFTWARE#Offering a level of flexibility that is unparalleled at this price point, the MixControl software enables you to create six separate mixes without latency. Included with the Pro 14 is Saffire MixControl, an 18 x 6 DSP mixer. Two Hi-Z instrument inputs let you plug straight in without the need to buy additional DI boxes, and two virtual Loopback inputs are also available for routing digital audio between software applications - ideal for capturing online audio. Alongside the two high quality mic preamps, two additional analogue inputs, four analogue outputs, S/PDIF and MIDI open the door to true multi-track recording. Combined with a host of additional I/O options, the Saffire Pro 14 helps you get the tracks you want without having to constantly re-patch your studio. Twenty-five years of mic pre excellence form the foundation of this new interface, with two award-winning Focusrite preamps. The latest in Focusrite’s new generation of FireWire audio interfaces, the Saffire Pro 14 is designed to make home studio recording and mixing easy without sacrificing audio quality. The Focusrite Saffire Pro 14 is an right in/six out audio interface with legendary sonic performance and unmatched flexibility at a truly affordable price. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces.
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